Tag: 888goofy

  • santana’s Debut Studio Album BAVIASKO

    santana’s Debut Studio Album BAVIASKO

    Recognition., a leading music distributor and record label, proudly announces the release of BAVIASKO, the highly anticipated debut studio album from newly signed artist santana (Morapedi Sebe). Blending raw lyricism, genre-defying production, and unflinching storytelling, BAVIASKO marks Santana’s arrival as a multifaceted force in modern hip-hop.

    Album Overview
    BAVIASKO features seven tracks, including collaborations with rising stars like Mars.onlyywsrosey888goofy, and Kane Keid. Produced by lineup—Ariaty1juggboyFearnomann, and BLVCK Hippy—the project showcases santana’s versatility as both a performer and engineer, with self-mixed tracks that amplify its gritty authenticity.

    Tracklist:

    1. Modus Operandi (prod. Fearnomann)
    2. Truest Religion (prod. Ariaty)
    3. Main Bitch (feat. Mars.only)
    4. Babyasko!
    5. Malcom X (feat. ywsrosey)
    6. Audi Boys (feat. 888goofy)
    7. SUM1 LIKE ME (feat. Kane Keid, tooleng & mels)

    Themes & Lyrical Depth
    santana’s lyrics oscillate between vulnerability and bravado, tackling themes of loss, loyalty, and street life. On Modus Operandi, he reflects, “Lost all my friends, all my homies dead / Fell in love with rain, fell in love with pain,” juxtaposing despair with resilience. Tracks like Truest Religion and Malcom X  bristle with confrontational energy, while Main Bitch and Babyasko! weave melodic hooks into tales of romance and ambition.

    Production & Collaboration
    The album’s sonic palette ranges from haunting minimalism (Modus Operandi) to bass-heavy bangers (Audi Twins). santana’s hands-on role in mixing and mastering ensures a cohesive yet dynamic listen. Standout collaborations include Mars.only’s slick verse on Main Bitch and 888goofy’s gritty contribution to Audi Twins, which nods to South African culture with lines like “I’m with Mr. Madiba, my bestie.”

    Credits & Vision
    Santana retains creative control, claiming majority splits on most tracks while elevating collaborators like producer 1juggboy (Babyasko!) and lyricist mars.only (Main Bitch). The project’s DIY ethos—recorded, mixed, and mastered independently—mirrors its themes of self-reliance.

    Availability
    BAVIASKO is distributed exclusively through RVNG under Recognition. Stream or download the album on all major platforms starting May 2nd 2025.

    Follow Santana:

    B A V I A S K O  isn’t just an album—it’s a manifesto. santana’s unfiltered voice and Recognition.’s innovative platform promise to redefine hip-hop’s boundaries. Stay tuned.

  • VICENNIUM: 888Goofy’s Latest Release

    VICENNIUM: 888Goofy’s Latest Release

    Recognition Group is thrilled to announce the successful distribution of VICENNIUM, the latest project from rising South African artist 888Goofy, born Lwazi Langa Mdhluli. Released on October 11, 2024, coinciding with his 20th birthday, this project marks a significant milestone in his artistic journey and commitment to mental health advocacy.

    About 888Goofy

    Since launching his career during the COVID-19 lockdown in 2020, 888Goofy has captivated audiences with his unique blend of Hip-Hop, RnB, Trap, and AfroBeats. His music reflects lyrical depth and sonic creativity, drawing inspiration from his upbringing in Fourways, Johannesburg, where he was influenced by his parents’ love for Jazz and RnB. As he transitions into adulthood, VICENNIUM symbolizes not only his age but also a new phase of life filled with optimism and resilience.

    VICENNIUM: A Celebration of Growth

    The VICENNIUM project features standout tracks that explore themes of self-reflection and authenticity. Among these, “Lookin’ at Us” has emerged as a fan favorite, gaining notable attention across various platforms. The track critiques authenticity within the industry while asserting 888Goofy’s role as a trendsetter.

    The music video for “Lookin’ at Us,” produced by Unrivalled Media and co-directed by Lumberjack Studios, has garnered over 1.5k views on YouTube, showcasing high production quality and creative storytelling. This visual representation complements the song’s message and enhances its reach.

    Media Coverage

    The standout track “Lookin’ at Us” has been featured in prominent publications such as Groove Africa and Pivot Magazine, further solidifying 888Goofy’s impact in the music scene. These features highlight not only the song’s lyrical prowess but also its resonance with listeners navigating similar struggles.

    Looking Ahead

    As 888Goofy continues to build his career, VICENNIUM serves as both a celebration of his past achievements and a stepping stone toward future endeavors. With ongoing support from Recognition., he is poised to reach new audiences while making a significant impact through his music.